06 April 2014

I will post a poem today, eventually--I'm enjoying the whole thing this year--but for now, I'm taking a warm bath in Madeline Gins:

One thing men haven’t realized is that unlike them (all men are mortal), women do not die — This makes all the difference — although some women, having been brow-beaten by sheer syllogistic brawn, have at times pretended.

Most women do not look like themselves; although many women do assume the form of 'woman;' some are men, others gas and electricity, and still others are indistinguishable. 

-- Madeline Gins, What the President Will Say and Do


That's a little bite of wisdom from American artistarchitect and poet Madeline Helen Arakawa Gins (November 7, 1941 – January 8, 2014). 

Gins' architecture projects, mostly done with husband Shusaku Arakawa, sound like poems, as in the Reversible Destiny Lofts and the Lifespan Extending Villa. 

She and Arakawa also did the escalator at the super-groovy Comme-des-Garcons-funded Dover Street Market, just up the block from me. Up several blocks, actually, but who's counting. Their Biotopological Scale-Juggling Escalator is worth a visit. See it online here or make a trip here

01 April 2014

NaPoWriMo 2014

I would not do it this year, that I was certain of. Definitely not. No way. Then the planet spun round again. Surprise. On Thursday last week I signed myself up to do it twice over, here and at Tiferet, though I'm not clear where and how the poems will move from here to there. . . . .



30 April 2013

That's it? That's it--it's the 30th of April 2013 and the month was far less cruel than ever before.

I followed the prompt this time and was glad about it. The suggestion was to take a shortish beloved poem and rewrite it, line by line, replacing words with words that mean the opposite. 

I chose an old sentimental favorite, "Of Mere Being," by Wallace Stevens. It's possibly one of Stevens' most sentimental poems and I don't believe it was published until after he died. What's more, his daughter later complained that there was a wrong word in the poem (it's decor), but I didn't want to get into all that today. 

I had a noonday stab at it and then an evening stab at it, and I put them both here--they are so different. In the betweentime I did an N+7 noun replacement with the original, since I've been so intrigued by those interventions for a couple of months, and enjoyed the result at N+12. So I threw that in here, too. I'm missing my Robin terribly this go-round but am grateful for Alan Kleiman joining me and for the editor(s)(?) at NaPoWriMo calling out my blog. 

Until next year. 


(10 p.m.) After oblivion

The rhizome at the onset of body
before the first instinct, descends
on the blue-white floor.
A silver-scaled fish
is mute in the rhizome, all animal nonsense,
a mineral indifference, a local silence.
You forget then that it is the consequences
that break us, unhappy or happy.
The fish is silent. Its scales eat light.
The rhizome lolls in the center of time.
A fire quickens at the root.
The fish’s water-wimpled scales spark alive.



(Noon) On all death

The grass at the start of the heart,
before the first instinct, falls
in the gilt morass.
A silver-furred beast
chokes in the grass, with animal meaning,
with mineral indifference, a local silence.
You misunderstand then that it is the result
that makes us unhappy or happy.
The beast chokes. Its fur dulls.
The grass lays in the center of time.
The wall rushes quickly in the roots.
The beast’s water-wimpled skin rises.



N+12
The parent at the enquiry of the misery,
Beyond the last tile, roofs
In the bunch decor,
A grammar-feathered blood
Sings in the parent, without human member,
Without human fig, a foreign specialist.
You know then that it is not the reconstruction
That makes us happy or unhappy.
The blood sings. Its festivals shine.
The parent stands on the election of spell.
The wolf moves slowly in the breezes.
The blood's flash-fangled festivals dangle drink. 




Of Mere Being
      by Wallace Stevens

The palm at the end of the mind,
Beyond the last thought, rises
In the bronze decor.
A gold-feathered bird
Sings in the palm, without human meaning,
Without human feeling, a foreign song.
You know then that it is not the reason
That makes us happy or unhappy.
The bird sings. Its feathers shine.
The palm stands on the edge of space.
The wind moves slowly in the branches.
The bird’s fire-fangled feathers dangle down.


28 April 2013

AQ's 28 April Twitter poem almost in response to NaPoWriMo


Poem-ish result of Twitter search of mourning + Freud

“If you read
tiny
if you read
muses
and Melancholi-a-muses
perspective
of working through
Judith Butler+
if you read thought
about Lois...
remind me to explain
con
intimate process. But Brazil
if you read reality
out of this tragedy
LOVEdontLOVEmee
efendim my master
if you read we show
what happens
next muses, tiny
(I Want The Future,
I Also Want to Hold Onto 
museum remembrance
late open if you read
tomorrow
muses until
film
poetry if you read
from doc forward
(This content is available only to Premium Members. It is copyright)  
triumph
if you read
of melancholia?
I'd lv 2C more attn
paid 2 processes,
medicalizing them
isn't the way. if you read
Psychology Books:
to perform tiny tiny
From Sigmund?: Question
arts brief tiny
mourning
after
journey into nostalgia:
To borrow such
runs risk
-- pathol...
too real to be tolerable.
Positive effects
of depression
genius if you muse.
melancholia. 

16 April 2013

Alan K's for 15 April

How i feel

I'm a bear in a room
[A bull in a china shop]
Raging on tip toes
At mosquitoes
That dot my air
Make an appointment
if you want to visit
So I can comb my hair
And brush my teeth
Giving the appearance
of civility
I will not repeat not step on you
Or scare the be Jesus
If I can help it